I thought “it” was the point.
How funny!
I thought “it” was the point.
How funny!
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with
This encompasses everything so far.
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With
I – I
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With
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.
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No incline
–leaning is horizontal & is dragging the past violently across the only moment
Turn, arc, spiral around center
–vertical and present in the only moment, precisely
Tags: Critical Practice
It is always happening
The felt experience is the practice.
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The enticing way of being
Nonviolent
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To
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Holding on to nothing
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Practice
paying attention
to
Compression
Simply
Get a feeling for it
For connection with earth
First
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Get big.
My attention must be larger than
my concerns and larger than
each of the others concerns and cares.
Movement occurs inside an envelope that includes all the cares in the “room”,
all the movements in the room.
This is essential, fundamental, in order to not be a bull in a china shop
moving blind to ones surroundings because you do not understand the contexts and situations of all concerned.
This encompassing position is calming and centering–knowing that you are not a bull in a china shop.
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Clairity of purpose (care and line)
Is essential for Connection
Practice with the bokken.
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Move at the speed of connection
Any thing faster lacks integrity
Produces fear and disharmony
Anything faster is instrumental
“I-It”
Connect to
Understand the other’s situation
You cannot blend otherwise
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I–I
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Play with it
Become exquisitely aware of the sensations of
The transition moments
The reaction
The relaxation
The edges of heaven and hell
Peace and war
Harmony and discord
Play and fear
Joy and dispair
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Master level akido?
I-I with fearsome people?
Get as big as their fearsome world
Include my world
Non- collision
Curiosity
Help them if I can
Without giving up my integrity
Move toward a creative space
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Attachment and fear
Or
Care and playfulness
Curiosity, learning, exploring
The “other’s” world.
Playfully looking for shared care
Connection at the edge
Tags: Critical Practice
Through extension
and turning toward
Turning against
Turning away
Lose safety, lose integrity
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Personal physical integrity
Through flow
–grounded, centered, flexible, extended, connected (“vertical”)
Movement
From care to care
I-I
Safety
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Notice:
Centrality
–is my care central to this moment?
Connection
–is my care connected with this moment?
Action (blending)
–is my care determining my precise line and my movement in this moment?
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Noticing
First
Always
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History of balancing fear with agression
History of balancing aggression with withdrawal
Both can be replaced with the third way
Turning toward–
Acceptance as presence, not acquiescence
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With gratitude
Notice my turning
Away
Notice the sensations of my
Holding
Notice my turning
Against
Notice the sensations of my
Holding
Turn toward the sensations
and notice
This is my practice
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Per Bob Duhnam:
Nietzsche, an important philosopher of the continental and existential traditions, saw power as the capacity for creation, which often requires the capacity for destruction as well. In order to be someone who can tolerate and produce both creation and destruction, he said we have to overcome “the spirit of heaviness” that binds us to existing ways of being, that keep us unwilling to alter ourselves and leap into possibilities.
He portrays power with three images. Heaviness is portrayed by two images of power, the image of the beast of burden illustrated by the camel, and the image of the beast of prey illustrated by the lion. The camel is characterized by its resistance, its ability to carry others on its back, and its capacity to absorb adversity. We all need the power of the camel at certain times. The lion represents one who rebels, who asserts its own power in the face of others, and who declares the inviolability of its territory. We must also be lions at certain times.
The third image is the image of the child, who illustrates the power of the innocence of play, of the absence of heaviness. The child who builds castles in the sand, sees them destroyed by the waves, and then builds them again. To Neitzsche the power of the child, the power of play, is the superior form of power.
(This discussion is based on one in the book “The Ontology of Language” by Rafael Echeverria, available only in Spanish.)
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The ground (and more)
Supports me
Without demands
I can let go of holding myself
Up
Back
Apart
Away
Against
Together
Onto
In control
And just play in the…
Moment
Place
Connecting…
To self
Other
Space
Flow
Mood
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